Lincoln Memorial 2008


I have more than a dozen shots of this frame. The person appeared at right to image his own version of the scene while the Canadian geese entered left.  A second later, the geese were over the Washington monument and the dude took off, leaving a far less compelling photo.  Chance favors the prepared mind.

Chicago 2009


Custis Trail, Arlington 2008

Since Fall is here again, I decided to post this image taken late October last year.  For a mixed metropolitan /suburban area, the DC-VA trail network is excellent. With DC traffic congestion second only to LA, more commuters are making the commitment to ride regularly, so much that Arlington County is considering widening the trails.  The Custis trail networks to the WO&D, making for a superb 18 mile Arlington loop.  Finishing in the Shirlington neighborhood provides for a celebratory amber waves ale at Capitol City Brewery.

Gamboa 2008



Morro de Sao Paulo is a well known tourist destination for Brazilians and Europeans alike; less so for Americans. Development over the last ten years has come at the expense of preservation. What was once a small fishing village, Gamboa's beaches are being crowded by ramshackle pousadas (think bed and breakfast) and eateries. While incomes have increased, the beach deterioration, overcrowding and loss of marine wildlife habitat will eventually reduce tourism and subsequent growth for local residents. I first visited Morro in 1998 when it was still a sleepy locale. Post(s) of that trip are forthcoming.
This image was processed twice in Photomatix, using reduced effect strength for each pass to avoid edge halos. Clicking on it will reveal a larger version so that the detail in the boats can be better appreciated.  The title is linked to the Morro de Sao Paulo website.

Bubbles 2009


Water as a filter, in this case, making the subject abstract yet the form is recognizable.

Gerbera Daisies (Arlington, VA) 2009


Farol (Salvador, Brazil) 2008


If you have followed Craig Corl's recent posts on HDR, he demonstrates many possibilities of the process.  Craig notes there is no real need to establish baseline processing rules which could be said about any artistic medium.  I too initially wrestled with how to use HDR to produce a convincing photograph and not imitate an illustration or painting.  Nevertheless, if the results are appealing to the author or artist, there's no reason not to experiment with extremes.  This image was post-processed through Photomatix twice.  I applied subtle adjustments each time and then used Photoshop to mask the sky, white wall to the right and ocean for various tonal corrections and contrast.  If you have both PS and LR don't forget to go to LR Preferences and point to PS as an external editor that will save time when bouncing back and forth between the applications.  I particularly like that editing in PS and saving the resulting processing there automatically imports the edited photograph as a stacked version in LR.

A Couple of Notes on Batteries

There is a reason why so many complain about short battery life in laptops, cellphones, GPS units and yes, cameras.   A battery's capacity and duration are largely affected by improper use, charge time and storage.  The manuals say it all and you should heed the warnings both for the sake of preserving the battery's useful life as well for safety's sake.

After purchasing a Canon 20D, I realized having an extra battery on hand was a must, especially while traveling.  However, who wants to spend another $50-70 bucks on a battery??  Car batteries come cheaper!  I ended up buying an aftermarket version from my preferred online store, noting that it appeared to have a longer life (rated in milliampres, or MaH) and at half the price.  Unfortunately, the aftermarket battery died within six months of purchase.  I've since tried everything to keep from spending the money on OEM batteries - new chargers that claimed to work on any models, other aftermarket battery brands, etc.  The bottom line is rarely do they work like the original manufacturer version nor last as long.  You get what you pay for.  Buy the darn original batteries for your spares!  And don't throw away the dead ones, please recycle the Chinese Cheapos.

Lithium-Ion (so-called "memory-less") batteries do last longer than their Nickel-Cadmium (Ni-Cd) predecessors, but can be overcharged which will severely curtail their useful lifespan.  Never charge them longer than the time recommended by the manufacturer.  If the charger has a light or makes a sound to indicate the battery is fully charged, remove the charger from the wall (they use energy even when a battery is not cradled) and the battery from the charger.  No light or sound?  Use a kitchen timer or watch.  You won't get more life out of your batteries by leaving them charging for a week and staring at the green light. Green means "GO!"  So stop watching it and go take pictures.

Overcharging can also generate a lot of heat over time and can be a fire hazard.  Leave a laptop plugged in for more than a couple of hours and even when it is off, feel the bottom of it for kicks.

Similarly, batteries that won't be used for a long time should be fully discharged and stored in a cool, dry environment.  Even when the camera is off, the battery is still draining because the contacts are running through a closed circuit.  Rechargeable batteries will lose a charge over time by themselves, but even moreso if stored in the camera.

You've heard all of this before.  Now obey the battery gnomes - buy OEM, charge responsibly (though you can drink and charge without side effects, unless you forget where you plugged the charger) and store properly.

Happy shooting.

Breaking the Comfort Bubble






Teachers at my daughter's school were explaining the "comfort bubble" to the kids (give others breathing room, which would probably not work too well in Asia).  Thinking about this from a photographer-subject perspective prompted the post.





I previously mentioned the space relationship with the subject and these are further examples.  If you have difficulty getting close to others, which is a very abnormal thing to do in public with a complete stranger, practice as I did today where there are people who expect to be photographed. These were taken this afternoon at Mt. Vernon, Virginia.  





Luckily, we visited during a colonial market festival. Breaking the ice with the actors there was easy. Try it at Sturbridge Village (MA), Mystic Seaport (CT), Colonial Williamsburg (VA), Ouro Preto (Brasil), and the list goes on.  







Remember, show interest in their wares or profession first, then slowly introduce the camera and ask permission to photograph. I have yet to be turned down.




If you have small children (big ones aren't interested, aren't cute anymore and run the risk of frightening the subject - unless that's the effect you're going for), have them participate; they usually will out of their own curiosity.




Don't overstay your welcome and ask for an email address to send copies to subjects.  Not only will they appreciate your photographs but will be more open to having their pictures taken by others in the future.

Have fun!


Castle Bruce Bay, Dominica


Many confuse Dominica with the Dominican Republic.  Dominica is the only Caribbean island with a year-round rain forest and a peak close to 6,000 feet.  A great destination for hikers and scuba aficionados, its volcanic beginnings created steep slopes and incredible black sand beaches.  Castle Bruce Bay is secluded on the north Atlantic side.

Adams Morgan Street Fair 2009

Both of these photos were taken yesterday in Washington DC.  I haven't had the time to draft a longer post on HDR production, so these are filling the void for the meantime.  The two people are self-proclaimed street artists from Cote d'Ivore, who were raising money for homeless children.  ISO 200, F11@1/125

Hanging Around

Have you ever waited to photograph a sunset as the sun recedes from the horizon and... nothing.  You pack your gear and start heading to the car.  Get in and drive down the road a bit and look in the rear view mirror only to see a spectacularly-lit sky!?  Many times, it pays off to wait a bit longer than you think for a good shot to come along.  The image here, the T Jarrod Quartet (a great local Austin band who recently played at the Elephant Room), was playing for more than an hour until they took a break.  I was ready to put my camera down when T (keyboards) and Jim Stringer (guitar) struck up a joke.  Click.  I really like the image because it captures an in-between moment of what would otherwise be two musicians playing instruments.  Not that playing is bad but this shot captures an alternative view.  Note the size you are seeing here hides the terrible low-light capability (noise) of the Canon 20D.  Instead of attempting to sharpen the musicians and blur the background or use a plugin like Noise Ninja, which would rob the photo of already limited edge detail, I chose to "hide" the noise by using Silver Efex Pro, which can be used to simulate popular black and white films.  Introducing a preset increased the "film grain," thereby making the square pixel noise more rounded and less "digital."  A 100mm lens was used, ISO 1600, F2.8@1/30.